“In politics, nothing happens by
accident. If it happens, you can bet it was planned that way.” Franklin
Roosevelt’s honest and candid admission of political events as pre-planned has
never been truer than what had happened in Bihar in less than 24 hours. Even
Vishy Anand will have to salute the political masters whose planned moves on
the political chess board of Bihar have successfully spaced the board with
saffron pieces that augurs well for the saffronization of the National chess
board, come 2019. So now we have a modified version of the popular
nursery rhyme Humpty Dumpty had a great
Fall
Humpty dumpty sat on a wall
Humpty dumped Dumpty who had a great
fall.
All Rahul’s men and all Lalu’s men
Could not put Humpty Dumpty together
again.
The arrow, that was
lighted jointly by the hand and the lantern 20 months back has no need for
either and is now absorbed by the blooming lotus. It has been a bloodless
surgical strike, drowning the Gandhi scion and the Lalu scion in its saffron
bath. The saffron deluge, powerful as the Kosi floods, has washed away the
Mahaghatbandhan before it could be raised to resist it. Like The Sorrow of
Bihar that shifted its course from flowing westwards to flowing eastwards, the
arrow has shifted its course from the Mahagatbandhan towards the Lotus.
The history of Bihar has
now got a new script, meticulously worked out where the alignment is between foes and not friends. The allies of
the past are the new opponents and the saffronites are the newfound frenemies. The
astute game that had been played on the Bihar chess board reminds me of of T.S.Eliot’s ‘ A Game of Chess’ in his modern
classic The Waste Land.
‘A Game of Chess’ begins
with a description of a woman sitting on a beautiful chair. Both the woman and
the room are magnificently attired, perhaps to the point of excess. One of the
paintings in the room depicts the rape of Philomela, a scene from Ovid’s Metamorphoses.
In the original story, King Tereus’s wife bids him to bring her sister
Philomela to her. Upon meeting Philomela, Tereus falls instantly and hopelessly
in love; nothing must get in the way of his conquest. Racked with lust, he
steals away with her and rapes her in the woods. He then ties her up and cuts off her tongue so
that she may not tell others of what had happened. He returns to his wife, but
Philomela is able to weave on a loom what has befallen her; she gives the loom
to her sister, who, upon discovering the truth, retrieves Philomela, and takes
revenge on him. Tereus flies into a rage, chasing both Philomela and his wife
out of the palace, and all three of them transform into birds. The speechless
Philomela becomes a nightingale.
One does not have to look for a one to one parallel, though such a
comparison is notwide off the mark. The Modi-Shaw duo sits pretty in New Delhi
looking at the painting of Bihar, depicting Crown Prince Nitish with his twin
partners, the Lalus and the Ragas. The Lalus were his early friends, who had in
recent times influenced him to take the Ragas also into his durbar. Racked with
ambition to become the PM with the help of the Lalus and the Ragas, he decides
on the Mahagatbandhan . But Nitish suspects Lalu of playing a different tune
and so cuts off both Lalu’s tongue and Raga’s hand and goes in search of Dilli
durbar to bolster him.
The section in Eliot’s poem
depicting the painting of the rape of Philomela – an example of love cascading
into brutality and violence – is the scene in Bihar today where one sees an
example of friendship cascading into betrayal and trickery. Crown Prince is lured
by the promise of privileged status he could enjoy in their company- a promise
that in reality is more menacing than beautiful. He fails to see how the duo trapped
him by calling him the MVP(most valued person)
and made him choose the company of foes turned friends but at a heavy price of
relinquishing his ambitions to become the PM
and being sneered at as a turncoat.
“A Game of Chess” is from
Thomas Middleton’s seventeenth-century play of the same title, which posited the said game as an allegory to
describe historical machinations –- specifically the brewing conflict between
England and Spain. Here the political machinations to abort the Mahaghatbhadan
in its foetal stage are clearly seen in the political chess game that is being
played. When the Crown Prince asks the Modi-Shaw duo what he should do, they
tell him “We shall play a Game of Chess”.
Chess recalls “lidless eyes,” as its players bide the time and wait “for a
knock upon the door.” The first knock- and that a felling knock- was on Lalu and
his children by the Enforcement Directorate to nail the Lalu clan as corrupt.
Chess becomes the quintessential game played on the corrupt board of Bihar,
dependent on numbers and cold strategies, devoid of all moral scruples.
Interaction is reduced to a set of movements on a checkered board.
Crown Prince is hailed by the Modi-Shaw duo as the shining Knight
in a saffron armour, striding across Bihar putting out the lantern flame and
the hand that had lit it. The narrative scripted by the Modi- Shaw duo has a new
message given through the Crown prince- It is no longer the hand that rocks the
cradle, but it is the cradle that rocks the hand.