Tu Jee le Zara, is a
refreshingly new serial on Sony channel presenting the love story between a 34 year old woman
with a younger man, seven years her junior. The theme is different from the
otherwise drab TV serials that present an eternally suffering woman who puts up with
hardships and sacrifices her personal happiness, desires and talent to keep
her marriage intact. The central character in the new Sony serial is a
confident, independent woman who has taken over the responsibility of looking
after the business of her late father’s strawberry farm and the responsibility
of taking care of her family consisting of her paternal and maternal grand -mothers
and her two siblings.
The serial has reached
the flash point when a young man declares his love for the older woman.
She gets piqued at the young man’s temerity to woo her since it goes against the
conventional notion that men should marry women younger in age. The serial presents society's shock and its negative gossip about a
relationship that defies accepted tradition. Had it been the other way, with the
woman younger even by ten years or more , it would not have raised a
hornet’s nest. The coming together of
the two as per the run of the TV script- an incompatible proposition
according to traditional views- will open a new chapter in the history of TV serials.
Every matrimonial site
and every matrimonial page in the newspapers carry
‘wanted bride’ advertisement
giving partner preference for the
bride to be younger at least by two years that is extendable to even 10+years
in age difference. Older men at 60+ seek younger women at 30+ because for men
there's no age limit when it comes to fathering children while for women, age
plays a huge factor in the ability to get pregnant. It does not matter if the sexagenarian cannot run around the baby or tend to its needs so long as the young wife is at hand to shoulder the responsibility. So it has become an
accepted convention that women must marry young and men must go on and on. If
God forbid, the woman does not conceive during her childbearing age, she is hounded
and blamed. The gender divide is at its worst, heavily tilted against women if
she cannot ensure progeny, in particular male progeny.
Our seers and
astrologers quote Manu Smriti that a woman should always remain dependent on
her husband. "In childhood a female must be subject to her father, in
youth to her husband, and when her lord is dead, to her sons; a woman must
never be independent.” On that ruling, it is made out that a woman cannot be
older than her husband; otherwise how can she remain eternally dependent?
Again it is a
convention that a woman after marriage adopts her husband’s family. She gets a
new identity that wipes away her genetic or inherited identity. Her links with
her parents are limited to meeting them twice a year-during Rakhi and Bhayya
Dhuj . These occasions are special for her as she receives some form of gift or
money to take back to her husband’s family.
The rest of the time her obligations are only to her adopted family while
no such obligation exists for the husband towards his in-laws.
In Tamilnadu where importance
is given to horoscope agreement over all other factors, girls born under
certain stars cannot get married as they are branded as star-crossed vampires
who will suck the life of their husband or husband’s father or brother and cause
untold misery to their mother-in-law. It does not matter if there is any logic or
not, these irrational beliefs are sacrosanct and they are always weighed
against the fair sex.
If marriages carry such bizarre notions, it is worse when
a woman loses her husband. While the in laws would curse the wife for being the
cause of her husband’s death, the rest of the family including her parents will
be worried about the stigma of widowhood on her. If a man dies, all hell breaks
loose. But if the woman precedes her
husband, she is forgotten even before her ashes are collected. Such is the
gender logic in our country.
Can we ever break free
of such absurdities? All talk of women’s lib, women’s security, women’s
independence are empty words. The Khap panchayat will go on and since the women
of the Khap men cannot beat them they will have to join them. Sati, the formal
practice of wife immolating herself on her husband’s pyre may have ended, but
women continue to be living Satis even in enlightened and educated homes as
they endure suffering and humiliation heaped on them in the name of widowhood.
Tu jee leZara asks
women to let their hair down and live life fully- a serial with a refreshingly
new approach far from the stereotyped
projection of suffering women. Hope this sets a new trend for the 21st
century woman. For the first time the serial shows two grandmothers –maternal
and paternal- living under the same roof-an absolute anachronism as far as tradition goes. In our customs- (I hope there is no
reference to this in Manu Smriti)- after marriage the bride’s family members cannot
even sip water in their daughter's adopted home. This may have somewhat changed in recent times, but what
remains unchanged is the view that
Bride’s family is bride’s,
Groom’s is groom’s
The Two shall never meet.
How nice it will be if such
foolish conventions that create a shadow line between the girl’s and the boy’s
families are given up so that the coming together of the bride and the groom
signals the start of a new camaraderie
between the two families.
Maybe Tu Jee le Zara is
a fantasy but it is certainly a welcome serial as it allows a ray of hope
to free our societal mindset laden with
prejudices against women’s status in family and society.
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