Thursday, 17 April 2014

Why do I write




                                                                           Why Do I Write
I had been writing almost non-stop for the last eight years in my post retirement period. While I was in service, in keeping with the requirements of my academic profession my writings were limited to books, essays and lectures on literature.  The productive post retirement phase has given  me plenty of time to read and write  books on subjects other than literature such as Higher Education,  Inter-Religious Harmony and even my life story. The last mentioned is an attempt to live through my long years -75 to be precise and it is not to be mistaken as the memoirs of a celebrity meant to be inspirational and motivational. It is simply a recount of a life lived long in time and short in succulence. Not a day passes without my fingers thumping on the laptop since I have developed a new interest in blogging. My blogs span politics, current affairs and personal observations on life around us.  
But after eight years, a kind of weariness has come over me. The title of this piece expresses the constant echo within me as to why I write. In fact no one reads these days and among those who read, majority prefers pulp fiction or sensational exposure of celebrities in glossy magazines but not any serious stuff. When I sent complimentary copies of my book on Higher Education to my friends and close relatives, apart from the usual response –‘Great’, ‘Well done’ or ‘Indeed a much needed book for our times’ etc,   everyone including academics and Vice- Chancellors (for whom, I thought the book will be of great value) did not thumb beyond the Foreword page and that too because the Foreword was written by a well known academician and Professor of history. The few books that the publisher gave me as complimentary remain in my bookshelf, slowly turning yellowish-brown with the fine dust that Delhi imports from the Rajasthan desert. The winter publication of this book has turned into a summer of discontent for me. I dread the fate of my next couple of books on Religious Harmony and Literary Essays as their audience will be limited to a small number of research scholars in Phiosophy and Literature.. My life story –Creative Truth-as I have titled it is meant for posterity and so currently it is so to say in a vault, kept concealed from inquisitive eyes.
I have no tangible evidence of anyone reading the stuff I dispense freely on my blog except what the statistics show as the number of page views of these blogs.  A slender part of these statistics is flattering but more often than not, the articles that I felt (in all modesty and humility) as my intellectual tour de force have scarcely received any hits. Maybe my writings often interspersed with literary quotations are not light reading stuff. Some of the blogs are long and may not interest the insta-blog readers.  Maybe the contents of the blogs particularly about WE, the people of India and about the steep decline of our political discourse make the readers uncomfortable and they would like the proverbial cat close their eyes to remain in the dark. How I wish I had received at least negative rejoinders than been humiliated and ignored for my pretentious claims to cerebral status! Disappointed over nil blog responses, I e-mailed a few select articles to some of my friends who have a passion for reading anything that comes their way in the hope of receiving their comments. But much to my distress, I did not receive even an acknowledgement of my mail giving rise to the fundamental question as to whom I write for. The second question ‘for whom do I write’ hurts while the first ‘Why do I write’ is baffling.
Let me try to find honest answers to the two questions- as to why and for whom do I write? Am I unique in subjecting myself to self inquisition? Or is this kind of self interrogation common to all writers like me who fail to make the writers’ grade? I cannot vouch for others, but I will be honest to admit being often racked with such questions that obliquely reflect the futility of my endeavour as a wordsmith. The incessant questioning as to why I write makes me skeptical about the worthwhileness of articulating my thoughts on paper. Do I write for others or do I write for my own pride and pleasure of creating something out of myself like a mother delivering her child? The labour pain of my writer’s cramp has been a waste in the absence of an appreciative audience; otherwise it should have given me the joy of creating a beautiful and interesting architecture of words.
I confess I have no audience. Someone to whom I confided my hurt pride was kind enough to suggest that I send them to the newspapers/newsmagazines for wider circulation. I tried quite a few times and the silence of the media was more devastating to my pride than the silence of the blog readers. In a polite manner by maintaining discreet silence, the media editors made me recognize the folly of approaching them with writings which in their view were substandard that cannot be seen in black and white in their newspapers/magazines.  Gone are the days when I used to get back my typed article with a polite letter of regret. But in this instamatic age, when e- mail has displaced the snail mail, I have to wait for a few days to understand that my article has been deleted from the editor’s mail-box. The silence of media today is so powerful as never to say anything that doesn't improve on silence. Since my self esteem would not allow me to accept my writings were sub standard, I often comfort myself by attributing  the rejection of my articles to my aam admi status that does not have the celebrity tag to ascend up the hallowed portals of the media.  
So the second question- for whom I write remains a question without an answer as no one really needs me to write for him/her. I am not a blue blooded writer and therefore I remain an orphan writer in search of adoption. And so to the question, why do I write? Though I am no Samuel Beckett, the Nobel laureate, his words ring true even for writers like me with no exceptional ability. Beckett , when asked about the nature of contemporary art  said: ‘…there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.’ Writing is a compulsive act almost genetic for those who want to express even if there is nothing to express, who have a feel for the language even when there is nothing with which to express.  On the days I do not write, I feel emptiness within and a sense of one more wasted day especially when my days can be counted. The obligation to express is an obligation to myself, to weave a garland of words that would satisfy my artistic ego, to express as Wordsworth says ‘ the splendour in the grass and glory in the flower’ ,to lighten the burden of thoughts that weigh heavily on our hearts , to  let out the weight of emotions that lie too deep for tears and though last, but not the least, to experience  the pleasure of finding something ordinary in the extraordinary and something extraordinary in the ordinary. When one retires from active life, when one’s physique and athleticism are in the decline, the vitality of the mind becomes paradoxically intense as it has been fortified by  age-long life experiences.  I no longer  have the youthful subjectivity that gives rise to intensity and passion; instead age has brought with it  dispassionate objectivity that helps me to see into the life of things.  At this advanced period of my life I have no need for crystal gazing as the future is slowly regressing towards extinction. But the lens of the ageing mind has retained  a sharp focus  to see life with  crystal clarity. The essence of ageing is the experience of life in all its greatness and smallness.  It may sound incomprehensible and confounding that the springtime of the soul occurs in our wintry years when we begin to understand what freedom means-particularly the freedom of the mind. This is a blissful time when one is not subjected to personal and professional constraints that stifle the freedom of the mind. There is need to rein in the expression of ideas and thoughts distilled from life experiences  as there is no vested interest to be served. They are a partial record of a life in search of self understanding. The path to self knowledge- to know one self is through interpretation of life in all its myriad facets and through articulation of that discovery. I write for myself. If in the bargain my writings promote shared awareness and intellectual nourishment to the odd reader , I may  get a reprieve from charges of egotism and self indulgence.


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