Monday, 29 September 2014

To laugh or to frown – today’s Hamlettian dilemma



                                        To laugh or to frown – today’s  Hamlettian dilemma                                                              


I have grown into an inveterate nerd thumping at my laptop to write my blogs. Many of my friends ask me as to why do I write@ a blog a day? For whose benefit do I blog? Are there any readers for my blogs?  I always mumble in reply that there may be a handful- those septuagenarians like me who have nothing to do and who idly sit in front of their computers and keep fiddling at the blog section. Frankly it does not bother me if no one reads them because for me a blog a day keeps my blues away. At my age when I can no longer engage  with  a younger world- a world full of beans where my services will be frowned upon as obsolete- I have to keep myself mentally alive till I receive my death warrant. My writing is thus auto therapeutic. I am not like the modern day Selfies who take their own pictures, mainly intended to present a flattering image of themselves and post them over the social media expecting appreciation in response. I post my blogs not to receive comments-leave aside  appreciation, but only to express myself through  words that otherwise lie too deep for others sight. I am neither a syndicated columnist nor a celebrity whose words people love to hang on to and so sharing my thoughts on newspapers and newsmagazines is not for me. Blog is my own creation and to indulge in it is a freedom I enjoy and loathe to be restrained. Even if people call me ‘nerd’ in the sense of being overtly obsessive and socially impaired, I am not unduly disturbed because I know blog is the lifeline to my current un-useful existence and it  provides me the armour to fight the onset of Alzheimer.
 The truth is my blogs fetch no response except from my siblings who are fond of me and from a couple of very close friends who share with me a love for English language and literature plus the latitude English offers for intellectual humour and satire. Prior to the general elections that concluded four months back, I received more responses to my political blogs where I was critical of the two main contesting parties. I spared neither the Congress for its lackluster pusillanimity and pedestrian campaign nor the BJP for its aggressive ridicule and personalized venom -soaked attacks on its opponents. My friends liked my punch with words and enjoyed those satirical blogs harmless in their thrust, but truthful in their details and aimed at politicians of all hues. But of late, I find even this small fan club of mine is seeking burrows to hide in, fearing reprisal for being the recipients of blogs that may contain an undercurrent of criticism of the party in power.  They request me to delete such blogs or at least delete their names from the list of addressees I mail my blogs to. Often when they meet me privately they caution me against my folly of blogging that may send me to Tihar jail. If it was Bangalore Jail, I would not mind it now as I will have the company of Amma.
I know that Indians as a race are incapable of much laughter and that too at their own expense. Our sense of humour is zilch and the only laughter one hears is limited to senior citizens and some health freaks in the park indulging in loud laughter as a means to artificially support their physical and emotional health. Yet another outlet for laughter is the mindless cheap jokes on the idiot box to covertly proclaim that we, the audience are not the butt of that ridicule.
We are serious, we need no humour, we are Indians. I recall an Englishman asking a friend of mine why Indians knit their brows in a permanent frown. He was quick witted to answer that since the bright Sun shines throughout the most part of the year in India, our developing a frown is a natural evolutionary process.  Maybe this can be one of the reasons for the singular lack of humour in us. It has been dinned into our ears from our childhood that too much laughter will be followed by too much sorrow. We were told that it was bad etiquette to break into a guffaw in public places. There were many such logical reasons given to us as to why we should always retain pursed lips. When I first read Thomas Hardy’s novel Far from the Madding Crowd, I was fascinated by his opening sentence about Gabriel Oak; “When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.” I used to stand before the mirror and smile like Gabriel Oak to see how far the corners of my lips extended. This was the only way I could smile as smile and laughter were taboos for us.
But in this process, we, Indians have failed to discriminate between satire, lampoon and wit. Satire  is a genre of literature and performing arts, in which vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of bringing improvement.  It is usually meant to be humorous and its greater purpose is often constructive social or political criticism. Lampoon on the other hand is satire laced with ridicule. It is mocking, contemptuous and insulting. Wit is used by both satire and lampoon as a means to make a clever humorous effect by raising unexpected associations between contrasting or disparate words or ideas.  In the case of satire, wit is genteel, elegant and intellectual while in a lampoon, it is coarse, vulgar and scornful.  Jonathan Swift said that: “Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own". Lampoon is meant to mock and trivialize issues and therefore it ends up wounding its target.  A lampoon is thus different from satire and its wit is less humorous and more wounding than that of a satire.  Erma Bombeck says “There is a thin line that separates laughter and pain, comedy and tragedy, humor and hurt.Unfortunately we in India do not differentiate the two genres and end up mixing one for the other.
Coming to my blog, I am not a satirist of the Swiftian kind.  I have no talent for lampoon, having been brought up in almost a puritanical home where one cannot whisper a tabooed word. I have written songs in imitation of Eliot’s Prufrock, Antony’s funeral oration in Julius Caesar, and our own Mera Jhoota hai Japaani - more in a light hearted vein based on daily dose of news events . My objective has been  –to adapt  Khushwant Singh’s Phrase- “ malice towards none, chuckling towards all” to  make us laugh at ourselves. But since our ruling party- as I am given to understand- is a bunch of holy cows,- I dare not write anything that may be witty at their expense. So I have been advised by my well wishers not to write or at least not to send such blogs to their mail box lest at 75, I may have to look at the prison bars and relearn counting.
Though everyone means well by me, I wonder if I should stay away from blogging on matters that make daily sensational news headlines. The Media is cautious and lampoons only those who are not the new Moguls. They can lampoon Jaylalitha( now that she is in Jail) as  “Jail-lalitha. But poor and insignificant mortals like me cannot raise my fingers to thump words that may ruffle the feathers of those in the seat of power. I learn that even the great anchor Rajdeep Sardesai has been hecked and manhandled because he provided an opportunity to the protesters at the Modi-son square to speak into his microphone.
I do not know if I should cease to blog till such time we Indians come of age to learn to laugh at ourselves. But that is a distant possibility and with age creeping on me, I do not have much time to wait. Do I take the plunge or do I stay off the laptop? A Hamlettian dilemma, but some instinct within tells me to keep going – if not for anything else, at least to test the waters and see if humour can be injected into the humdrum life that we lead with all the seriousness at our command.


Wednesday, 24 September 2014

Dil hai Hindustani



mera rail hai jaapaani, mere bullet train hai japaani
(my rail is Japaani, my bullet train is japaani)
mere smart cities hai jaapani, phir bhi dil hai hindustaani
(mere smart cities hai Japaani, nonetheless my heart is Indian)
jai ho indoJapaani , jai ho indojapaani
(Victory to Indo-japaan, Victory to Indo-Japaan)

nikal pade hain khuli sadak par, aapke madad se
(I set out on the open wide road, thanks to your help)
apana seena taan
(with great confidence)
manzil kahaan kahaan rukana hai,
(where is my destination, where must I stop)
aap log jaane
(you people only know)
badhate jaayen ham sailaani, jaise ek dariya toofaani
(I advance forward relentlessly, like a hurricane in a river)
aap dhenge 35 billion dollar
(you will give me 35 billion dollar)
haath per black pen, sign karein MOUs,
(Black pen on my hands, I sign MOUs)
phir bhi dil hai hindustaani
(nonetheless my heart is Indian)

upar niche niche upar
(from high to low, from low to high)
lahar chale hamare dosti
(the waves of our friendship flow)
naadaan hain jo bhaite bath kare
(those who sit and talk are naïve)
 aur puchhen raah vatan ki
(and ask the road for the Motherland)
chalana jivan ki kahaani, rukana maut ki nishaani
(keep going is life’s story, stopping is the story of death)
Baath karen Mein aur  Abe, hameim dedo yen,
I will tell  Abe, give me Yen in dollars
mere deshke unnathi ke liye
 (for my country’s development)
 phir bhi dil hai hindustaani

mera bullet train hai jaapani
mera car hai jaapani,mere cities banenge smart,
phir bhi dil hai hindustani

honge haum Chinese ke saath
(I will walk with the Chinese)
banoom china ke dil shahazaade
(I will become the prince of their hearts)
Hum aur Xi ping  jhoole par baithe
(I and XI Ping will sit on the swing)
jab jab chahem,hum jhoole ke bahar  baithe
(We will sit out whenever we desire)
aur karenge bathem  aur hasenge dil kolkar
(and talk and talk,laugh and laugh our hearts out)
surat hai jaani pahachaani, duniya vaalon ko hairaani
(My face will become familiar and it will be a surprise to the world)
haath pe haath aur gale se gale milenge
(hand in hand and we will embrace each other)
aur mange  Chin se dollar ,
(I will ask for Chinese dollar)
phir bhi dil hai hindustaani
(nonetheless my heart is Indian)
mera ports, power plants, gaadi, kapde sab chini hoge
(my ports, powerplants, cars, clothes –all will be Chinese)
phir bhi dil hai Hindustani
(nonetheless my heart is Indian)

Jayenge hum America, milenge humare Guru Obamase
(I will go to America,meet with Guruji Obama)
Mangenge investment unse,
(I will ask for huge investments from him)
Khareedenge unka heer aur sona,
(I will import their diamond and gold)
 Hawai jahaz, military aur bijli samagriyan
(airplanes, military and electric equipment)
Rooyi,nuts,dhvayi  aur bahuth cheez
(Cotton, nuts, pharmaceuticals and many more things)
Hum denge rupya, dollarmein, parvah nahin dollar rate unche honge
(I will give rupees in dollars , doesnot matter if dollar rates are high)
Phir bhi dilhai Hindustani
(nonetheless my heart is Indian)

Sabko hum invite karenge
 I will invite everyone)
Mere desh mein factory kholne ke liye
Open your industry in my country)
Make in India hum bholenge,
( I will say Make in India)
Hum sabko dhenge hamara resources ko
(I will give you all my resources)
Phir bhi dilhai Hindustani.
(nonetheless my heart is Indian)

Sab se bholenge,hamara desh bachao
(I will tell all, free my country)
Jabwo  log poochenge, kiss se bachana
(when they ask from whom should we free you)
Hum bholenge Congress se bachao.
(I will say, save my nation from Congress)

Indo-japaan jai ho
(Victory to Indo- japaan)
Indo-china Jai ho
(Victory toIndo_China)
Indo-US Jai ho,   
 (Victory to Indo-US)
Jai Namo,  Jai Hindustan
( Victory to Namo, Victory to Hindustan)





lyrics of song Mera Joota Hai Japani Ye Panloon Englishtani

Monday, 22 September 2014

Mandolin Shrinivas- our Markandeya



                                                  Mandolin Shrinivas- our Markandeya
The death of mandolin Shrinivas in his mid- 40s has come as a shock not only to lovers of Carnatic music, but music lovers all over the world. A child prodigy, this young man reached the pinnacle of glory as a musical genius even before he was through his teens. One does not have to be knowledgeable about Carnatic music to listen to him and get enthralled by the sounds of his mandolin. But more importantly, one does not have to be a music aficionado to feel devastated  that those sounds of music from his mandolin will no longer be heard ( for they will be available on digital discs) but the fact that the producer of that magical sound will no longer be present in our midst is a loss difficult to accept and confront as an irretrievable fact of reality. He is irreplaceable not only as a musician, but as a human being- humility personified. The music that he produced was his gift to the world, but he never wore his genius on his sleeves. He considered himself as the instrument of Goddess Saraswati who created her divine music through him. It is always said that the flute or the mandolin does not produce the sounds but it is the player who creates them. Shrinivas’ humility was such that he did not consider himself as the producer of those divine notes, but humbly acknowledged that it was the Goddess whose music resonated from him. It is this Shrinivas that we will miss.
 We all have heard in our younger days the story of Markandeya.  Markandeya as the legend goes was born to a Shiva worshipping couple who after being childless for many years was  given  the choice by Lord Shiva of either a gifted son who would live for just sixteen years or  a son of below par intelligence with long years of life. The couple chose the former and true to the Lord’s blessings, Markandeya was born as an exemplary son  and a great devotee of Lord Shiva and Lord Vishnu.  But when his sixteen years were over, at the appointed time of his death, Lord Shiva protected him from the lord of Death (Yama) and gave him the boon of eternal life. It is said that Markandeya  lived well past the end of the previous world and witnessed its end. I reflected on Markandeya’s story and realized that if this legend is true, then Markandeya , blessed with eternal life, should be present with us even today.
Shrinivas is the new Markandeya of our times. He not only lives eternally through his music but like his ancestor, Markandeya Rishi,who worshipped Shiva,  Shrinivas  is also a worshipper of Nada Dvani, personified by Goddess Saraswati. Like the eternal Markandeya, he remained all through his sojourn on earth, modest, unpretentious, humble, respectful to his father and Guru and above all an affectionate mentor to his younger sibling. Humility, thy name is Shrinivas.
The great German philosopher Fredrick Nietzsche, adapting the Biblical saying of St Luke: “"For whosoever exalteth himself shall be abased; and he that humbleth himself shall be exalted" wrote that it is only human that he who humbleth himself wishes to be exalted.
Mandolin  Shrinivas is exalted to eternity. But he abides with us forever and his music shall live with us providing the sustenance for our parched soul. Let us not mourn him that he is gone; let us celebrate his life and his music that remains with us.
Let us pray with all humility: “ May all our souls rest in peace and tranquility with Mandolin Shrinivas.”